Nice for our neighbor Rania Hassan to get a shout-out.
Museums
The most striking piece is Rania Hassan’s “Revelations,” in which a loosely knitted dress hangs from a painting of a woman’s upper torso, implying the rest of her. Two painted hands reach out to grab the garment, and these appendages are attached to the wall by white rods and heavy screws. The juxtaposition is potent, whether it represents male and female, art and industry or something else altogether.
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